The Wizard's Tale

This young adult graphic novel was nominated for the Eisner Award for Graphic Album in 1998. It tells of a wizard who is descended from a long line of evil wizards except he's quite bad at being evil. He reluctantly has to set off on a quest for a magical book otherwise he'll get kicked out of his castle by other evil wizards. There is a quest, there is romance, there is a squire who wants to be king, and a talking toad. It is a very short and quick read, and while it is a young adult, I think many younger readers would like it. It's an unconventional sort of fairy tale with touches of humor throughout.

Promethea review by Athena

This review covers the whole series from books 1-5. I quite enjoyed this graphic novel series by Alan Moore, J. H. Williams III, et al. There are style and art changes throughout the series. The story has themes of folklore, mythology, spirituality, magic, and most of all, imagination. It is very epistemological and a bit psychedelic (in the good way). Sometimes, a lot of the concepts went over my head, and it really is a series that requires reread to appreciate all the messages and the beauty. There were many times I did not know where to look as so many things were on the page. It is meticulous and beautifully done. By Book 5, the series gets incredibly meta; it is very cool. I can not really summarise all the ideas of the series, but it is fascinating. I would love to own it and reread it when inspiration strikes. I've grown to really love and appreciate Moore's work, and this may seem like a shift from The Watchmen and V for Vendetta, but at the same time, it is not. He is still spiritually and emotionally evocative in his works. I would highly recommend it to be people who are open to fantasy, epistemology, philosophy, and visual storytelling.

Crossposted from aquatique.net.

Pyongyang review by Athena

Pyongyang: A journey in North Korea is Guy Delisle (a Quebecois, now living in France) graphuc memoir of two months spent working in the North Korean capital for a French animation company outsourcing work to the North Koreans. It is a fascinating look at North Korea and its regime. While he is not in NK for very long, Delisle observes the expat community of NK, and the dictatorial regime's forceful propaganda machine. All foreigners seem to be kept in a very closed bubble constantly watched by their assigned guides. The author takes a copy of Orwell's 1984 and observes the parallel. It is apt because the regime seems to permeate in all aspects. It is the most closed country in the world, and it is rather frightening the extent in which the whole population seems to live in a bubble themselves. Without any outside media and severe limited ability to travel and educate themselves, many seem to genuinely believe the personal cult and god-like presence of the Kims even if one of them is dead. The cult of personality is rather creepy. Though there is little choice, but to pretend to believe because the dictatorship has some of the worse human rights violations globally. A lot of what the memoir describes is not creepy. Nothing can last forever, and the NK regime certainly won't. It will be interesting when that happens since the country is in a time warp. It's like how people go to Cuba and say it looks the 1950s, but North Korea and its population seem to be still in the 50s since they are limited in communications, food security, electricity, industrialisation and manufacturing. Since the culture is protected is by the government, art is monitored. This is especially significant in that all its neighbours are accelerating at a very fast rate in the globalisation. Having read on North Korea a bit from my studies, I would recommend further reading of the subject if you are intrigued after this short, but interesting read.

The Complete Persepolis review by Athena

The two volume omnibus edition of Marjane Satrapi's graphic memoirs and Bildungsroman of growing up in and away from Iran. I actually did not know about the French edition until too late. As is the case sometimes, I regret not having found the original French version to read especially since I perpetually need to brush up my linguistic abilities. I did see the movie in French. Overall, I found this read immensely enjoyable and wonderful. I love it as much as I love The Complete Maus by Art Spielgman, another identity searching and family history memoirs of conflict. Persepolis was moving, tragic, beautifully drawn, funny, painful, and honest. It is beautiful memoirs of childhood and finding one's own identity with change and upheaval. I liked all the characters; I could feel for them. I liked young Marji's spirituality, faith, and religion, and while it was difficult to watch her go through her teen years, I could relate to her in a way I have not for a character in a long time. While I did not live through the political and violent times of war and revolutionnary torn Iran, we have similar family dynamics and other things such as the scene with Marji as waitress that hit home.

The film is wonderfully done as well, and while it is a condensed version, it still has the same simple yet affective black and white imagery. It has a couple of things the graphic novel does not, and it is nicely voice acted all around. It is harder to find a more truer to the novel adaptation than with Strapi as the co-writer and co-director of the film. Both are recommended.

Abridged from aquatique.net

Wanted review by Athena

This is the most violent graphic novel I have read yet and probably one of the most violent books I have read in a long time. I am curious about the upcoming movie adaptation, so I decided to read the graphic novel I never heard of. It was not worth it. It was violent, dark, depressing, and dystopic. Funnily enough, I do not think it was intended as nihilistic as other modern graphic novels tend to be, but that message is not clear. I think Millar intended it to be a hero's journey for villains, and it has been described as "The Watchmen for villains." I do not know if we are suppose to feel for the amoral protagonist Wesley. I considered him too immoral to actually care about. It was just too dark for me. I would not recommend this graphic novel.

Having said that, I am looking forward to the movie (it's a good movie year I think). It is going to be a lot different from the movie in terms of plot. I will probably like the movie a lot more than the books. Fox in the comic books is modelled after Halle Berry (due to Fox's similarity to Catwoman), but I'm glad it's not Halle Berry. Similarly, Wesley was modelled after rapper Eminem. It was a bit creepy reading the comics with him as Wesley. According to this behind the scenes featurette, the first 40 pages of the book are copied fairly accurately into the movie. The movie is going to be violent and R-rated. I am not into violent movies per se, but I am into humor/mindless action flicks once in awhile. I won't mind the violence in the movie as much as the comics which always tend to be more violent than the movies. Actually, If they kept the plot of the comics as it is, I highly doubt anyone would want to see the film. This comics plot really does not have a wide appeal. So, this is one of those rare cases where I will probably like the film more the original and want them to change as much as they can from it.

Jimmy Corrigan review by Athena

This is the story of a lonely, awkward man who meets his father for the first time over Thanksgiving weekend. There are also a series of flashbacks to the childhood of Jimmy's grandfather who also had an alienated relationship with his father. While the artwork and the symbolism is well crafted, I am unsure if I actually like this work. I appreciate it, and the last panels of the ending were hopeful, but for much of the novel, I did not feel invested in Jimmy or the story. I can understand why this is such an acclaimed and influential work. It's a sad story that is told well through the well crafted imagery.

The Best American Comics 2006 review by Athena

Edited by Harvey Pekar, this first edition of The Best American Comics anthology showcases the variety of comics and visual storytelling available today. Many of the stories are very political which is understandable since comics has history of being subversive. Even more off the comics featured are based on autobiographical experiences or nonfictional accounts which seems to me the biggest movement in comics and graphic novels these days. The end of the book includes notes about the contributors and on the pieces in the book by the authors themselves. There are quite a few that did not stand out for me as it often happens in some anthologies, but many were well done, a couple extremely so, and one made me laugh out loud. Pekar wanted it to feature the best of the 2004-2005 time frame and allow old and new readers like to appreciate comics. I don't think this would necessarily be the best introduction to the graphic storytelling medium, but it really does showcase the diversity of styles in the medium. It is short, and I would recommend reading the introductions after the comics themselves.

Blankets review by Athena

Blankets is a graphic novel of first love, growing up, faith and the loss of it. It is nearly 600 pages of black and white graphic storytelling. The style is fairly realistic and very wonderfully drawn at times. Craig Thompson is definitely creative and a talented artist. Something about the simplicity of the drawings were evocative. The graphic novel medium is very well suited to autobiographies and memoirs such as this. It is especially apt when telling of experiences of childhood and other first or crucial memories since they are usually are so vivid and intense. Another example of where childhood inspired stories go well is American Born Chinese.

In an interview, Thompson on the success of the graphic novel: "Probably the things that I was reacting against in the comics medium. I was reacting against all of the over-the-top, explosive action genre—I guess alternative comics have been doing that, for a while. But I also didn’t want to do anything cynical and nihilistic, which is the standard for a lot of alternative comics." I am going to agree about the cynicism that is found in alternative comics. I think it is also the post modernism and existentialism that runs through a lot of art in general these days. Blankets has a bit of that, but I would say it is less nihilistic than David Boring. The ending is open ended and pensive due to its biographical nature, but an excellent graphic novel overall.

Cross posted from Aquatique.

V for Vendetta review by Athena

Before reading this graphic novel, I had read Alan Moore's other acclaimed work Watchmen. I enjoyed it, but I'm inclined to think right now V for Vendetta has some even better writing. Moore is a brilliant author who imbues poetic prose and engrossing narrative in graphic works. His characters are fascinating if not compelling. When I was reading this, I was afraid the darkness of dystopia would bring my mood down, but there were a couple of wonderful moments of beauty in this. Moore and co-author David Lodge weave a novel about society, politics, integrity, love, revenge, anarchy, fascism, security, and freedom. V is an intriguing character; a mad genius whose actions I do not necessarily condone, but whose arc makes this novel: "It's everything, Evey. The perfect entrance, the grand illusion. It's everything." While the novel has extremities, there is a moral grey side to it. The work does probe at the human capacity for indifference and to be controlled. A great graphic novel.

I watched the film adaptation more than a year ago. I liked it, and I understand that while Moore does not, Lodge does. I consider them different entities as a result of the changes. While they are not completely divergent, they are notable changes to the ending and fates of characters. The graphic novel is understandably more involved and includes more characters and stories. I highly recommend reading the book, and then watching the movie.

Batman: The Dark Knight Returns review by Athena

My regard for comics is positive for the most part, but I would not venture to say I am an avid fan. Part of is the lack of continuity, and the revisionist and changing nature of characters and stories. I do like a lot of superhero characters and am familiar with most major comic book heroes due to my exposure of the 1990s cartoons. Case in point, I loved Batman: The Animated Series when it first came out in 1992 (ended 1995), and it has remained my favourite version of the Dark Knight. Few animated shows have been that well done or engaging. Kevin Conroy's Batman will always be my personal Batman. The writing on the show was stellar; it is the reason that I find Batman the most fascinating of superhero characters. He is definitely my favourite from the DC JL gang. The animated series was inspired by the Tim Burton movies which was inspired by this Batman serial written by Frank Miller in 1986.

One of the reasons Batman is fascinating and unique (at least in the DC universe) is his darkness, his humanity, and his lack of superhero powers. He's a very flawed man with a lot of personal demons. This serial was influential in marking that return to the noir Batman. It's very well written and illustrated. The plot was fine, but I do not recommend it to people who do not know the character. I did not agree with all of Miller's takes to the Batverse, but I liked that he created a female Robin. There is some commentary within the panels about the media, public security, civil liberties, obsessions, vengenace, and the grey area of vigilantism. It's non-canon and there is a sequel, but I do not think I'll read it. Most of it is that I am too attached to the Batman I know from TAS, and I can't warm to Miller's Dark Knight. Maybe I just don't like Batman when he is old because I was not able to watch Batman Beyond either. (cross posted from aquatique.net)

David Boring review by Athena

A graphic novel about the eponymous character looking for love at what might be the end of the world. My first exposure to Daniel Clowes's work, and even though I may not love this graphic novel, it was definitely interesting and I look forward to reading Ghost World (I liked the movie). DB is modern, has subtle characterizations, but the minute details and the style of the illustrations really draws you in. It's alienation and the search for love in the 21st century with a large dose of black humor involved. Having read Shortcomings the day before, the two have very similar styles in plot, characters, and storytelling. Adrian Tomine and I suspect other young graphic novelists are influenced by Clowe's modern stylings and characterizations. I did not really feel too much for the characters, but I did find David intriguing. Maybe it was his constant searchings for love, his father, and the end of the story. The graphic novel is a bit meta which I tend to like. Crossposted from aquatique.net

American Born Chinese review by Athena

American Born Chinese has three separate stories that connects at the end. All the stories have a strong message of self-acceptance. It also deals with racism, friendship, and growing up. The stories are well told; my favourite of the stories is the one on the Monkey King from the famous Chinese legends. Like the author Gene Luen Yang, I also grew up with these tales. The author has a very whimsical and funny take in his art and panels. The illustrations are on the lighter side, but still poignant. The dialogue understated but to the point. This is a graphic novel which both adults and young adults can read and appreciate. Crossposted from my aquatique.net

Shortcomings review by Athena

By Adrian Tomine (2007). A short graphic novella about Ben Tanaka, a cynical antihero Japanese-American. He is not very likable and has quite a few issues which leads to a deteriorating relationship with his long term girlfriend Miko. The novella looks at racial issues, stereotypes, and the breakdown of a relationship. It also touches on the issue of sexual identity, conformity, and fear of change. While Ben is often hypocritical, Miko is not free of hypocrisy or shortcomings either. While their relationship breaks down, they seem to be more sides of the same coin. A realistic portrayal of an ending relationship where both people are not necessarily in the right. The illustration is all in black and white, but poignant in its simplicity. Coupled with good dialogue, the experience is more akin to watching a movie rather than reading a book. A short but reflective graphic novel that is realistic in its portrayal of relationship breakdown. From a longer review over at my blog.